I really love this image for a few reasons. We get to see a few things we often don’t see in images of ladies spinning in the 15th century.
Have a look at her right hand where she is holding the spindle. The spindle is held between her third and fourth fingers. I’ve seen this a couple of times in period art and it’s where I naturally hold my spindle when I’m trying to recreate 15th century technique– which makes me think I must be doing something right. With the top of the spindle through these fingers you can use your thumb and second finger to flick the spindle and the third and fourth finger to grasp the spindle firm enough to stop it dropping but light enough so it spins. When winding on your spin thread these fingers work again in the same way, third and fourth holding the spindle, thumb and second turning it.
Now look at her left hand. When I have an arm’s length of thread and go to wind it onto the spindle I have to unwind what has spiraled around the shaft, leaving me with more than an arm’s length that will kink up on itself. If I’ve been suspending my spindle at the side and have even more than an arm’s length then I have an even bigger problem. I “butterfly” the tread around my thumb and pinkie on my left hand to keep the tension on the thread as wi wind it onto my spindle. This looks just like what this lady is doing here!
It’s really hard to know if what I’m doing is right, I can’t go and visit the 15th century and it’s always hard to know how accurately images depict technique. But when I discover something in a picture that I’ve been doing already then that makes me happy! Have you ever had this happen with your research?